Seattle, WA — For the Soul brings together twenty artists across painting, sculpture, drawing, textile, poetry, and light — united not by medium or aesthetic but by a single question: what does the soul of your work look like?

The works are intimate by design. A 30 × 30 inch limit across the exhibition creates conditions for closeness the kind of looking that slows down, that notices.

What emerges is not a theme but a field of inquiry. Artists reach inward and outward simultaneously: into memory, grief, longing, ecological entanglement, the subconscious hand, the body as site of resistance, the land as witness. The question of soul turns out to be a question about intention  about what drives a practice to its core, and what remains when the surface is stripped away.

For the Soul does not offer a unified answer. It offers twenty different ones.


Participating artists: Jessica Brilli, Cynthia Camlin, John Clement, Benjamin Ewing, Gage Hamilton, Andrea Heimer, Sheila Klein, Peter Le Floch, Kayla Mahaffey, Elly Minagawa, Nancy Mintz, Dan Monteavaro, Micah Ofstedahl, Ravenna Raven, Joe Rudko, Seth Sexton, Anthony White, Yale Wolf, Brandon Vosika, and Mark Russell Jones.

Exhibition

For The Soul

Year

2026

Gallery

Common Ground, Seattle, WA.

Works in Exhibition

QUICK FIX

2025

· Pla on panel

14 x 11 inches (35.6 x 27.9 cm)

Disposition

2025

· Acrylic, Ink & Poplar on Canvas

20 x 30 x 3.5 inches (50.8 x 76.2 x 8.8cm)

A Hand I Don’t Control

2025

· Acrylic and pastel on canvas

25 x 21 inches (63.5 x 53.3 cm) - Framed

Ghost Flowering 1

2025

· iron gall ink and colored pencil on watercolor paper mounted on panel,

26 x 21 inches (66 x 53.3 cm)

Mycorrhizal 2

2024

· iron gall ink and colored pencil on watercolor paper

14.5 x 11 inches (36.8 x 27.9 cm) – Framed

Such Justification

2025

· Acrylic on canvas

30 x 30 inches (76.2 x 76.2 cm ) Framed

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For The Soul

New Works by Group Exhibition

On view

July 3 – July 27, 2025

For the Soul brings together 20 distinguished local and national artists in a group exhibition at
Common Ground Seattle, Pioneer Square. Curated by Jackson of Geheim Gallery in
partnership with Lion and Lamb Fine Art, the show asks a vital question and seeks to spark
dialogue around: What does the soul of your work look like? Exploring the very core of artistic
expression, the exhibition invites viewers to consider what gives a work of art its unique spirit
and meaning. Open from July 3 to August 7 and timed to coincide with the Seattle Art Fair, For
the Soul offers a distinctive glimpse into the diverse perspectives and creative energies shaping
contemporary art today.

This exhibition invites artists to look deeply into the core of their own practice, examining what
drives their creative process and what defines their work’s unique identity. For the Soul is a
meditation on what makes each piece resonate at its very essence, whether through material,
form, gesture, or concept. It explores how artists distill their vision into something singular,
capturing the qualities that make their work distinct and compelling.
By setting a simple but deliberate size limit, no work exceeds 30 x 30 inches the show fosters
an intimate environment that encourages viewers to engage closely with each piece. This scale
invites a slower, more contemplative kind of looking, focusing on the nuances and details that
reveal the true heart of the work.

More than a collection of individual expressions, For the Soul builds a dynamic dialogue among
artists who explore identity, intention, and artistic language in vastly different ways. The
exhibition offers space for reflection, connection, and conversation reminding us that the
essence of art often lies in subtlety, precision, and emotional depth rather than spectacle.

Participating Artists:
Jessica Brilli, Cynthia Camlin, John Clement, Micha Ofstedahl, Benjamin Ewing, Gage Hamilton,
Andrea Heimer, Sheila Klein, Peter Le Floch, Kayla Mahaffey, Elly Minagawa, Nancy Mintz, Dan
Monteavaro, Mark Russell Jones, Ravenna Raven, Joe Rudko, Seth Sexton, Anthony White,
Yale Wolf, and Brandon Vosika.Press images, artist bios, and additional information
available upon request.

Curatorial Overview

Contemporary art, at its essence, is a forward-facing practice. It is the imaginative blade of
culture, slicing toward the unknown. A mirror, yes—but one that reflects not only the image of
our time, but its pulse: the chaos, the beauty, the ache, the ambition. It is the gunslinger in the
expanse, daring something new into being. It is the frontier. The experiment. The leap.
And yet, in all this momentum, we risk abandoning something ancient, something essential.
We risk forgetting the soul.

What is the soul? It’s a question that science has not settled and philosophy only dances around.
Split-brain studies suggest that consciousness might be a fragile illusion—divisible, mutable, a
trick of neural wiring. And yet we know something more. We feel it. In certain music. In a
glance across a room. In the quiet arrest of standing before a painting that alters our breath. That
ineffable shift, that stillness, that is the trace of its passing.

This show asks artists to make one or two works, just one or two chances to say something
essential. To speak from a place of interiority rather than influence. It is a call for intentionality,
for that rare thing: honest work. Not work made to go viral, not work designed to check the
boxes of cultural capital, but work that holds, that keeps speaking, even when no one is
watching.

As artificial intelligence accelerates in capability and presence, the question becomes more
urgent. If AI can simulate image, mimic tone, remix aesthetics—can it channel soul? And if not,
what remains uniquely ours?

James Baldwin once wrote, “The artist’s struggle for integrity is a kind of metaphor… for the
struggle which is universal and daily.” Perhaps the soul resides not in perfection, but in the
courageous refusal to abandon that struggle.

Art, in its truest form, is not spectacle,it is transmission. Emotion passed across time and body,
like current through copper. To be changed, even minutely, by an image, a gesture, a
presence, that is the proof of soul. That is the threshold this exhibition dares to explore.
And it is in danger.

The last decade of art has largely rewarded speed, identity optics, and the safe familiarity of style
over risk. As institutions and press became more trend-driven, more fragmented, and more
beholden to metrics, many of the most truly inventive artists have been left to the margins. We
have elevated work that flatters our moment instead of challenging it. In this shift, we’ve
sometimes lost our courage.

Historically, we know that most great artists were not elevated by institutions in their early years.
They were supported by patrons. They showed up repeatedly. They were often misunderstood.
And yet, their work carried soul. It carried force. And eventually, it carried forward.
The internet has democratized visibility, but not discernment. Reddit threads are flooded with
mediocre images and lukewarm critique. It is not fragmentation that is the issue, it is the loss of
vision. Soul cannot be taught by algorithm. Nor does it thrive in echo chambers of easy applause.
Virginia Woolf, in The Waves, suggested that consciousness itself is fluid, a flickering, tidal
thing. Perhaps the soul, too, moves like this, elusive, luminous, resisting definition but
unmistakable when felt. So what now? Now we return to what Rilke called heart-work.

Now we ask again: what does it mean to make work that matters? What does it mean to make
work that lasts?

This exhibition is a meditation on that question. It is an experiment in compression—small-scale
works with large-scale intention. It is a gathering of voices, limited, each given the task of
making meaning under tight constraint. Not a product, not a brand, not a post. But a soul.
We will preview the show in a single night, with a single room of people. We will invite them to
see with their hearts, to feel the weight of what’s been offered. Each work is accompanied by a
small card,no bigger than your hand,with a short reflection on the back. A whisper, really. A
way to carry the experience home.

We are not promising revelation. But we are promising presence.
And in an art world that often feels like smoke and mirrors, this show is trying to be something
else: A mirror that asks who you are and whether, in this moment, you still believe in the soul.

Artist Statement

Exhibition Details

For The Soul -

On view

July 3 – July 27, 2025

Location: Seattle, WA

Opening Reception: Thursday, July 3

About the Artist

Jessica Brilli, Cynthia Camlin, John Clement, Micha Ofstedahl, Benjamin Ewing, Gage Hamilton,
Andrea Heimer, Sheila Klein, Peter Le Floch, Kayla Mahaffey, Elly Minagawa, Nancy Mintz, Dan
Monteavaro, Mark Russell Jones, Ravenna Raven, Joe Rudko, Seth Sexton, Anthony White,
Yale Wolf, and Brandon Vosika.Press

For press images, interviews, or additional information:

For The Soul

Lion & Lamb Fine Art · 2026

For The Soul - Exhibition Catalogue

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